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Wildlife painter · Ho Chi Minh City · in the field since 1999

Đào Văn Hoàng

I was born in Saigon in 1962. At two I was already drawing animals in chalk in front of the house. My mother took me to Thảo Cầm Viên zoo, and in the evening I would copy from memory the creatures I had seen.

In 1979 I left Vietnam by sea. France took me in, and I lived there seventeen years, teaching myself to paint while I worked in technical drawing and graphic design. I returned to Saigon in 1996 as a creative director in advertising, for Biti's, Dutch Lady and Prudential. In 2014 I stopped everything to do one thing only: paint the living world.

I do not paint only for art. I paint so that these animals are known, loved and protected. If one day a machine paints more seductive pictures than mine, it will not be able to put into them what I lived through, face to face with the animal.

Since then I have painted murals for Cát Tiên, Tràm Chim and Bidoup Núi Bà, an underwater world across the waiting area and consultation rooms of the Hospital of Tropical Diseases, exhibitions for rescue centres, and plates for the WWF, Free The Bears, Wildlife At Risk, Save Vietnam's Wildlife and Re:wild. I paint the species of Southeast Asia, and above all the endangered ones that conservation campaigns rarely mention. My notebooks come from twenty-five countries. In 2019, with my wife Lê Quỳnh Huệ, we founded Le Petit Musée to pass all of this on to children.

I studied the proportions of each species very carefully, their behaviour and their habitat, with conservation scientists.

  1. 1962Born in Saigon
  2. 1979Leaves Vietnam by sea, then seventeen years in France
  3. 1996Returns to Saigon, creative director in advertising
  4. 1999First mural: 200 m² at Cát Tiên National Park
  5. 2014Shows 22 primate paintings at the primatology congress in Hanoi, and leaves advertising to paint full time
  6. 2014-19Exhibits at primatology congresses: Hanoi, Oregon, Rome, Washington, Thailand
  7. 2019Founds Le Petit Musée with Lê Quỳnh Huệ
  8. 2025First solo exhibition, Wildlife Art: The Natural World through an artist's eyes. Hội Mỹ thuật TP.HCM, 13 to 19 July

In the field

Taking notes in the bush, where every painting begins. From a report by THDT2, Đồng Tháp television.

In his own words

Every painting carries the note he wrote the day he saw the animal. These three come from the catalogue, unedited.

Reflection
I first saw proboscis monkeys in Bako National Park, Sarawak, Malaysia. Sometimes they leap across rivers high in the canopy, even mothers carrying babies. This painting is part of my “Flying Primates” series, shown at the Three Monkeys symposium. In these works, I leave out the trees to focus entirely on the monkeys in midair.
Reflection Proboscis monkey
MegaMekong1
Few people realize that the Mekong, a river that feeds millions, is also home to giant fish: carps and catfish that can grow over 3 meters long and weigh up to 300 kg, freshwater rays that span more than 2 meters across, with venomous spines up to 40 cm long. This quadriptych features all four species, which can be seen alive at the River Experience in Singapore.
MegaMekong1 Giant pangasius
Color fight
I was walking along Corcovado Beach in Costa Rica when my camera went dead. Luckily, I had my journal and watercolor box with me: enough to sketch what I saw. This painting came later, based on those first rough lines: a clash of color, wings, and sound.
Color fight Macaw

The animals he has painted

61 species

Field notes, one letter a month

Where I went, what I saw, what is on the easel. Nothing else, and one click to unsubscribe.

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